Tools
The six figures
Every figure from The Lost Art of the Plan, rebuilt as accessible web graphics, each with its own caption and downloads.
| Approach | Era (as dated in text) | The planner as | Starts from | Limit it identifies | Ch. |
|---|---|---|---|---|---|
| City Beautiful | 1893–1909 | Designer of a grand, comprehensive civic vision | The physical form of the city | Top-down and expert-led, with little to no public input | 1 |
| City Practical (the rational plan) | From 1910 | Technician; an urban engineer | Exhaustive data collection and analysis | Devalued any way of knowing not based on quantifiable data | 2 |
| Advocacy and community activism | From 1965 | Advocate for interest groups; facilitator and organizer | Plural plans; the community’s own process | Turned the planner from a creator of products into a manager of process | 4 |
| New Urbanism | Late 20th century | City-builder again | Design and the physical context | Narrowly focused on livability; limited attention to equity | 5 |
| The Artist’s Method | Today | Civic artist practicing civic craft | Witness, moral synthesis, the courage to test, critique | Its proposal, set out in Chapters 6–8 | 6–8 |
An illustrative case: a scenario from the book, not results from a named city